![]() There's maybe an other way, but I haven't found it. If you're taking out note CV, the only way I found it possible to track, is to set the level out in Reaktor to –0.5 dB. Just plug the audio out into Thor and direct it in the MBRS: This way you can use the sequencing power of Blocks in Reason. And since you have 16 audio outs on Reasons VST programmer, you can take out a lot of modulation sources from Reaktor and into Reason tis way. Blocks don't differentiate between CV and audio (like in eurorack). You can take CV from Reaktor Blocks into Reason as audio and convert it with Thor to Reason CV. Sent from some crappy device using TapatalkĬould you elaborate a bit on this, please? I'm new to Reason and don't quite follow, particularly: "…it's just to plug in the CV in the Audio out to get the CV in to Reason." A screen shot would be really helpful (I hope:). So I see Reason as a modular studio, and Reaktor as a modular synth/FX with the ability to modify existing modules/instruments OR build your own from scratch with few limits. This is totally impossible in Reason! For example, if you liked an LFO but it didn't go low/slow enough, you simply type in a different minimum value for the rate control and there you go! ![]() Reaktor is more like a modular synth, with the added ability to go INSIDE each module and modify if. The addition of CV may make it seem more like a modular, but until REs there were really no "modules" as you would expect with a modular. REAKTOR BLOCKS TUTORIAL FULLReason isn't so much a big modular as a big studio full of gear. Also that you have to save your ensembles in Reaktor, otherwise they are gone. Beware that Pitch CV don't track unless you set the level out in Reaktor to -0.4. In Reaktor there is no difference between CV and AU so it's just to plug in the CV in the Audio out to get the CV in to Reason. You just need one or two Thors to convert CV to AU and AU to CV. But since you get a lot of audio ins and outs it's pretty straight forward. When it comes to combining Reaktor Blocks with Reason I haven't found any other way than using audio cabling. ![]() ![]() west cost style modules, like complex oscillators, low pass gates, etc. Especially when it comes to more experimental stuff. The Reason Rack is of course much faster. ![]() REAKTOR BLOCKS TUTORIAL SERIESHetricks Euro Reakt series of modules, you can expand your patches well beyond the scope of the native blocks. The difference compared to Reason are the possibilities. Reaktor Blocks is like a real modular – you can build anything from a simple synth to really complex stuff. What would you say the benefits were to using Reaktor as opposed to thinking about Reason itself as one big modular design with flexible routing, CV etc? When I saw Reaktor 6 (I have 5) I thought it looked good, but felt that the *entire* Reason architecture is modular in the same way. Not only will Reaktor 6 Blocks give you some fantastic sounds with endless possibilities, as you connect up the wires to create your own patches, you'll also be subliminally learning the fundamentals of synthesis.Tobypearce wrote:I'm interested in this thread. We then look at adding oscillators, filters and LFO's, create chords and pads along with percussive sounds and see how we can get the most out of the plugin within our chosen DAW.įinally, we check out some of the more interesting and useful 'blocks' and see what this powerful plugin is capable of. In this course Rory starts with checking out the user interface before moving on to building a basic patch. This fascinating and awesome plugin from Native Instruments - where you build your very own virtual modular synths from the ground up, will see you diving down a rabbit hole of sound creation and losing many happy hours before you know it! REAKTOR BLOCKS TUTORIAL HOW TOSonic Academy welcomes back Rory from Hyper Production this week for in depth look at How To Use NI Reaktor 6 Blocks. ![]()
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